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Monthly Archives: February 2015

How I Make Beats

February 28, 2015

I have been using Logic Platinum Music Production Software since the late 90’s. It was very expensive and took days sometimes to get everything working with my sound card and cables. Since Apple made Logic Platinum Pro X exclusive, you can buy the app for a mere $200.00 and have it up and running to produce your first beat within an hour of online purchase…what a time we are living in.

There are other programs like Cubase or Pro Tools but I prefer Logic. Sometimes I start with drum sounds and layer different instruments on top to make a beat. This is a very common technique. Other times, I start with a hot sample and build on that with the drums and different instruments. Since I do remixes with all types of acapellas. I sometimes build on the acapella adding drums and various instruments. If the acapella is a rap I am not limited to what keys and harmonies I play. If it is a singing acapella then I have melodic guidelines to adhere to, so that my song is not off key with the vocals. To make more obscure beats I use bits of songs in a sampler or directly play little parts from vinyl, Serato Scratch Live or Blue Rays.

To make the beats different, I might have a mic recording weird things like dropping silverware, hitting a Nunchuku (Bruce Lee’s weapon of choice) on a tabletop or running a stick along a fence to make unique percussive sounds. You come up with the coolest sounds when you take sounds from different sources. Sometimes I might work on a single sound for a few hours playing it in and tweaking it, but if it doesn’t enhance the song ,  I will take it out. I don’t want to hear a part in a finished song that I should have fixed, a few years  later and be like …I wish I would have changed that. I always hated going into studios and hear the producer or technician say “That’s ok” or “That’s good enough.” Every sound should be hot and why should I just settle for anything or a lazy studio technician trying to rush me with bad advice. After all, I’m paying for it!

Check back in for more tips on How I Make Beats!

Radio – Active

February 27, 2015

A live radio performance is an exciting thing.
All the spontaneous ideas and energy of being on the radio live is  very special and I enjoy doing them.
When doing pre-recorded mixshows, which is a common thing on radio, you have the opportunity to really get intricate on the mix in ways that are impossible doing a live mix.

I begin with a session of finding music to use in the show from
various record/Mp3 pools like digiwaxx.com, virdiko.com and franchiserecordpool.com for example. With those new songs and all the crates I have in my Serato Scratch Live I have enough to make a hot new mixshow.

When I do a pre-recorded radio show or mixtape, I like to really get deep with the mix using acapellas, changing instumentals under them and adding some of my own produced remixes and beats in the style of the 80’s legendary NYC remixer  Shep Pettibone from the 98.7 KISS Mastermix series.

I remember hearing those individual remixes where he would repeat parts of the song and have breakdowns which were much hotter than the original versions. Then the sexy female voice whispering “Kiss Mastermix”. They actually released a double album compilation of the Shep Pettibone Remixes on Prelude Records.

The cool thing about a prerecorded show is you’re not limited to the amount of time you spend preparing a mixshow. I like to record each song on a different channel, that way I can make adjustments to the blends, add effects and drops at perfect locations and since I am always looking for the newest and hottest releases. I might almost be finished with a radio show and get a new track that I want to add to the mix. Since I have recorded on different trax, I can move around anything and and mix in the new songs where ever I want.

If i want to put it in the middle of the mix, let’s say, at the 15 minute point of the show, I add an instrumental of the last song and mix into it with the new song that I am adding. Then I pull the remaining 15 minutes that I moved to make room for the new banger, back to the end of the new song so the mix continues flawlessly.

I have spent up to 20 hours on a two hour pre-recorded mixshow…I figure if the Radio mix is not live, why not make it something extra special!

Superjam

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